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Processing: How Justin Taylor Wrote Reboot
The author on reboots, online culture, video games, and “the constantly moving target” of writing about the present.
Apr 22
•
Lincoln Michel
22
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Processing: How Justin Taylor Wrote Reboot
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Processing: How Ryan Chapman Wrote The Audacity
The author on satire, billionaires, and writing messed-up characters ("sociopaths contain multitudes, too.")
Apr 2
•
Lincoln Michel
47
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Processing: How Ryan Chapman Wrote The Audacity
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3
March 2024
On Productivity
Some thoughts on writing, writing a little, and writing a whole damn lot
Mar 26
•
Lincoln Michel
136
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On Productivity
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33
What's American Fiction Without the Short Story?
A short paean for the Great American Literary Form
Mar 15
•
Lincoln Michel
140
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What's American Fiction Without the Short Story?
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27
Processing: How Rita Bullwinkel Wrote Headshot
The author on boxing, embodying characters, and "the gooey, weird stuff that time can do in literature"
Mar 11
•
Lincoln Michel
46
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Processing: How Rita Bullwinkel Wrote Headshot
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7
Dune Names Are Good, Actually
On language, names, and worldbuilding
Mar 2
•
Lincoln Michel
147
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Dune Names Are Good, Actually
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24
February 2024
Four Books I Loved Coming Out This Spring
Just some recommendations for your post-winter reading
Feb 22
•
Lincoln Michel
54
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Four Books I Loved Coming Out This Spring
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6
The First and Best Writing Advice I Ever Received
Finish things. Just finish. Really, finish them!
Feb 11
•
Lincoln Michel
402
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The First and Best Writing Advice I Ever Received
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54
The Novel as Shaggy Dog Joke
On Nicholson Baker's The Mezzanine and novels whose pleasures are in denying our expectations
Feb 1
•
Lincoln Michel
113
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The Novel as Shaggy Dog Joke
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24
January 2024
On Reviewing Books
Two new publications and some tips on being a book reviewer
Jan 18
•
Lincoln Michel
71
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On Reviewing Books
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9
Who Is Reading What and Why
Quick look at a recent poll about how many Americans read (not many) and what they're reading
Jan 10
•
Lincoln Michel
164
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Who Is Reading What and Why
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49
Why Your Narrator Should Be a Weird Little Freak
Literature needs fewer "likeable" characters and more assholes, weirdos, buffoons, and freaks
Jan 1
•
Lincoln Michel
304
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Why Your Narrator Should Be a Weird Little Freak
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50
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